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The following cartoons are satire, and social and political criticism. No one, and no thing, is justifiably beyond a poke of criticism. (Witness the avalanche of jokes even about Catholic priests and sex, or the Pope, these days). Although open joking about Jewish identity, conventions and institutions by non-Jewish commentators are typically pathologized as manifestations of "antisemitism," Jewish comics themselves relentlessly contribute to the very Jewish form of "antisemitism," popularly understood in the Jewish community as the genre of "Jewish self-hatred." Jews endlessly lambast "nagging Jewish mothers," "Jewish American Princesses," and a treasure trove of neurotic Jewish traits (Woody Allen's endlessly laughable self-examinations as a Jew are a well-known case in point). Such humor, within the Jewish community, is a well-known institution. "All kinds of deception and cunning, of fraud and trickery, devised and committed by Jews, either to get money or to avoid paying money," wrote prominent Jewish psychoanalyst Theodore Reik, "are exposed and candidly revealed by Jewish jokes." [REIK, T., Jewish Wit, Gamut Press, New York, 1962, p. 67]

Black stand-up comics satirize all manner of "white" foibles. Famous Jewish comic Lenny Bruce was a pioneer in the assailing the hypocrisies championed by just about every ethnicity. (In Jewish circles, by the way, jokes about the attitudes and abilities of the non-Jew are a humor norm.) Publically, Jewish comics like Milton Berle have long recited jokes about Italians, and other ethnicities, with little -- if any -- outcry.

As Rabbi Joseph Telushkin once observed about "political correctness" in the "Jewish joke" context: "People who oppose telling ethnic jokes would have us believe that the whole genre is nonsense, that alcoholics, neurotics, oversensitive people and shady characters are evenly distributed among all groups. However, tolerant as it sounds, this assumption makes no sense, for it implies that history and culture have no impact on human beings. But of course, they do. What makes Jews Jewish is a specific religious culture and historical experience that have shaped their values and strongly influenced how they view the world." [SILBIGER, S., 2000, p. 10]

Cartoons are, by definition, caricatures. They strip the world of its vast complexity to make some simple points. The more a subject is taboo from criticism, the more a joke about this taboo is probably funny. The more a subject is forbidden to be satirized, the more it positions itself as a magnet to be satirized. The more any subject tries to stay hidden behind self-protective, censorial drapes, the more it ultimately pours out the windows into the public street. The more a subject is publicly championed to be taboo, the more it is -- paradoxically -- in private circles, the opposite..

Like any comic that seeks to have fun with the truth, our intention with these cartoons is neither ridicule, defamation, or hostility, but merely to highlight aspects of our current cultural milieu that all should recognize. The more powerful the subject of examination (and the more resistant it is to public criticism of any sort), the greater the tension release there is in telling, or hearing, or reading, the joke -- for all. This is the nature of comedy, as it has always been.

ADVENTURE #1 (Introduction)
ADVENTURE #2 (Antisemitism)
ADVENTURE #3     (Terrorists)
ADVENTURE #4 (Rabbi Rabbit)
ADVENTURE #5             (PNS)
ADVENTURE #6        (The Jap)
ADVENTURE #7 (Jew Klux Klan)
ADVENTURE #8   (The Sinagog)
ADVENTURE #9   (Jewish Santa)
ADVENTURE #10 (Holocaust Commission)
ADVENTURE #11 (Anti-Prejudice)
ADVENTURE 12 (World's Greatest Mind)
ADVENTURE 13 (Is-Real Leader)
ADVENTURE 14 (Great Taboo)
ADVENTURE 15 (Freedom Assoc.)
ADVENTURE 16 (Candles for War)
ADVENTURE 17 (Merry Christmas)
ADVENTURE 18 (Antisemitism 2)
ADVENTURE 19 (Jewish Prez)
ADVENTURE 20 (Jews Stick Together)
ADVENTURE 21 (Prez Spokesman)

(Created at monitor screen size 800 x 600).
Adventures of Rabbi Rabbit: Copyright JTR, 2002

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